Life is Strange: Double Exposure Review: Welcome Back, Max Caulfield
Reintroducing us to Max Caulfield nearly a decade after her harrowing days at Arcadia Bay, Life is Strange: Double Exposure feels both like a reunion and a quiet rebirth. Now in her late twenties, Max has traded Blackwell Academy for…
Venom: The Last Dance Review — When Absurdity Meets Heart in a Finale That Almost Soars
Over three films, the Venom series has carved out a distinct space in the comic book movie landscape, not so much by defying superhero conventions but by embracing its own unique brand of antihero absurdity. In Venom: The Last Dance,…
Woman of the Hour is a Commendable Directorial Debut by Anna Kendrick (That Stumbles in the Climax)
Pulling viewers into the twisted world of Rodney Alcala, the infamous serial killer who appeared as a contestant on The Dating Game in 1978, Anna Kendrick’s Woman of the Hour opens with an uneasy tension that never quite lets go.…
It’s What’s Inside is A Dizzying Dive into Body-Swap Chaos with Missed Opportunities
It’s easy to get lured into It’s What’s Inside with its sleek visuals and high-concept premise—a millennial body-swap thriller that combines social satire with a dash of sci-fi. Writer-director Greg Jardin sets up a situation that seems rife with potential:…
Emily in Paris Season Four: A Dazzlingly Thin Parisian Dream
Emily in Paris has been a polarizing presence since its debut, adored by some for its romanticized depiction of the City of Light and derided by others for its lack of depth. Now with four seasons under its belt, the…
Saba is a Powerful Directorial Debut about People Trapped by their Circumstances
Maksud Hossain’s directorial debut Saba is more than just a movie—it’s a reflection of the economic and emotional battles that so many people in our country face. Right from the opening scenes, the film thrusts us into the world of…
Nobody Wants This Season One Review: A Nostalgic Rom-Com That Hits Familiar, Comfortable Notes
As someone who loves cozy, low-stakes rom-coms, I went into Nobody Wants This with high expectations. After all, Adam Brody and Kristen Bell headlining a romantic comedy together feels like a millennial dream come true. If you grew up watching…
Phir Aayi Haseen Dilruba Review: A Mediocre Sequel That Fails to Recapture the Magic
When Haseen Dilruba first hit our screens in 2021, it was a messy, uneven, yet undeniably entertaining blend of romance, crime, and pulp fiction. It wasn’t a perfect film by any means, but it had a certain charm that kept…
Joker: Folie à Deux is a Daring Experiment That Falls Short of Its Potential
Five years after the release of Joker, Todd Phillips returns with Joker: Folie à Deux, a musical sequel that attempts to elevate the original’s dark psychological drama into something more abstract and theatrical. The film reunites audiences with Arthur Fleck,…
Ctrl Review: A Digital Nightmare That Doesn’t Quite Pay Off
As the world continues to grapple with the ever-evolving influence of artificial intelligence, social media, and the omnipresent digital landscape, Ctrl arrives at an opportune moment. Directed by Vikramaditya Motwane, the film offers a cautionary tale about our relationship with…
