Venom: The Last Dance Review — When Absurdity Meets Heart in a Finale That Almost Soars
Over three films, the Venom series has carved out a distinct space in the comic book movie landscape, not so much by defying superhero conventions but by embracing its own unique brand of antihero absurdity. In Venom: The Last Dance,…
Woman of the Hour is a Commendable Directorial Debut by Anna Kendrick (That Stumbles in the Climax)
Pulling viewers into the twisted world of Rodney Alcala, the infamous serial killer who appeared as a contestant on The Dating Game in 1978, Anna Kendrick’s Woman of the Hour opens with an uneasy tension that never quite lets go.…
It’s What’s Inside is A Dizzying Dive into Body-Swap Chaos with Missed Opportunities
It’s easy to get lured into It’s What’s Inside with its sleek visuals and high-concept premise—a millennial body-swap thriller that combines social satire with a dash of sci-fi. Writer-director Greg Jardin sets up a situation that seems rife with potential:…
Top 20 Horror Movies of the 2020s (So Far)
Here’s a ranking of the top 20 horror movies of the decade so far, based on critical acclaim, fan reactions, uniqueness and pure fear factor. You Won’t Be Alone (2022) Set in 19th-century Macedonia, You Won’t Be Alone tells the…
Saba is a Powerful Directorial Debut about People Trapped by their Circumstances
Maksud Hossain’s directorial debut Saba is more than just a movie—it’s a reflection of the economic and emotional battles that so many people in our country face. Right from the opening scenes, the film thrusts us into the world of…
Is Tripti Dimri Making Bad Choices With Her Movie Roles, or Are We Judging Her Wrongly?
Tripti Dimri has long been recognized as one of Bollywood's rising stars, delivering captivating performances in films like Laila Majnu and Bulbbul. Her career trajectory, however, has recently sparked debate among fans and critics alike, with many questioning whether her…
Phir Aayi Haseen Dilruba Review: A Mediocre Sequel That Fails to Recapture the Magic
When Haseen Dilruba first hit our screens in 2021, it was a messy, uneven, yet undeniably entertaining blend of romance, crime, and pulp fiction. It wasn’t a perfect film by any means, but it had a certain charm that kept…
Joker: Folie à Deux is a Daring Experiment That Falls Short of Its Potential
Five years after the release of Joker, Todd Phillips returns with Joker: Folie à Deux, a musical sequel that attempts to elevate the original’s dark psychological drama into something more abstract and theatrical. The film reunites audiences with Arthur Fleck,…
Ctrl Review: A Digital Nightmare That Doesn’t Quite Pay Off
As the world continues to grapple with the ever-evolving influence of artificial intelligence, social media, and the omnipresent digital landscape, Ctrl arrives at an opportune moment. Directed by Vikramaditya Motwane, the film offers a cautionary tale about our relationship with…
Hayao Miyazaki’s Return with The Boy and the Heron: A Film of Loss, Legacy and Life
After a brief(!) retirement of a decade, Hayao Miyazaki’s highly anticipated return to filmmaking with The Boy and the Heron (originally titled How Do You Live?) marks a significant moment in cinema. Miyazaki’s first feature since The Wind Rises (2013),…
