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It’s What’s Inside is A Dizzying Dive into Body-Swap Chaos with Missed Opportunities

It’s easy to get lured into It’s What’s Inside with its sleek visuals and high-concept premise—a millennial body-swap thriller that combines social satire with a dash of sci-fi. Writer-director Greg Jardin sets…

Top 20 Horror Movies of the 2020s (So Far)

Here’s a ranking of the top 20 horror movies of the decade so far, based on critical acclaim, fan reactions, uniqueness and pure fear factor. You Won’t Be Alone (2022) Set in…

Saba is a Powerful Directorial Debut about People Trapped by their Circumstances

Maksud Hossain’s directorial debut  Saba is more than just a movie—it’s a reflection of the economic and emotional battles that so many people in our country face. Right from the opening scenes,…

Is Tripti Dimri Making Bad Choices With Her Movie Roles, or Are We Judging Her Wrongly?

Tripti Dimri has long been recognized as one of Bollywood's rising stars, delivering captivating performances in films like Laila Majnu and Bulbbul. Her career trajectory, however, has recently sparked debate among fans…

Phir Aayi Haseen Dilruba Review: A Mediocre Sequel That Fails to Recapture the Magic

When Haseen Dilruba first hit our screens in 2021, it was a messy, uneven, yet undeniably entertaining blend of romance, crime, and pulp fiction. It wasn’t a perfect film by any means,…

Joker: Folie à Deux is a Daring Experiment That Falls Short of Its Potential

Five years after the release of Joker, Todd Phillips returns with Joker: Folie à Deux, a musical sequel that attempts to elevate the original’s dark psychological drama into something more abstract and…

Ctrl Review: A Digital Nightmare That Doesn’t Quite Pay Off

As the world continues to grapple with the ever-evolving influence of artificial intelligence, social media, and the omnipresent digital landscape, Ctrl arrives at an opportune moment. Directed by Vikramaditya Motwane, the film…

Hayao Miyazaki’s Return with The Boy and the Heron: A Film of Loss, Legacy and Life

After a brief(!) retirement of a decade, Hayao Miyazaki’s highly anticipated return to filmmaking with The Boy and the Heron (originally titled How Do You Live?) marks a significant moment in cinema.…

The Substance is a Provocative Tale of Body Horror and Society’s Obsession with Youth

In The Substance, Coralie Fargeat crafts a world where the obsession with youth and beauty drives a woman to dangerous extremes, creating a tale that melds body horror, dark humor, and societal…

Bhakshak is an Ambitious but Stilted Take on a Real-Life Story of Investigative Journalism

Bhakshak touches on a reality that is far too familiar to women in Bangladesh and across the Indian subcontinent: the constant, insidious presence of abuse. As a woman watching this film, I…
Why Jujutsu Kaisen is a Modern Shonen Classic
Warning: contains important spoilers In the vast landscape of shonen anime, it's rare to find…
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It’s What’s Inside is A Dizzying Dive into Body-Swap Chaos with Missed Opportunities
It’s easy to get lured into It’s What’s Inside with its sleek visuals and high-concept…
Emily in Paris' -Usa Today
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Emily in Paris Season Four: A Dazzlingly Thin Parisian Dream
Emily in Paris has been a polarizing presence since its debut, adored by some for…
Top 20 Horror Movies of the 2020s (So Far)

Here’s a ranking of the top 20 horror movies of the decade so far, based…

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Saba is a Powerful Directorial Debut about People Trapped by their Circumstances

Maksud Hossain’s directorial debut  Saba is more than just a movie—it’s a reflection of the…

Analyzing Arcane Season One: Duality, Trauma, and Power
In 2021, Arcane arrived on Netflix and took the world by storm, quickly rising beyond…
Is Tripti Dimri Making Bad Choices With Her Movie Roles, or Are We Judging Her Wrongly?
Tripti Dimri has long been recognized as one of Bollywood's rising stars, delivering captivating performances…
Why Dragon Ball Daima Can Recharge the Franchise and Take it Back to Basics
The Dragon Ball franchise is no stranger to reinvention. Over the decades, we've seen Goku…
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Nobody Wants This Season One Review: A Nostalgic Rom-Com That Hits Familiar, Comfortable Notes
As someone who loves cozy, low-stakes rom-coms, I went into Nobody Wants This with high…
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Phir Aayi Haseen Dilruba Review: A Mediocre Sequel That Fails to Recapture the Magic
When Haseen Dilruba first hit our screens in 2021, it was a messy, uneven, yet…